The Chilean premiere of Harold Pinter's The Caretaker opened in November last year at Matucana 100 cultural centre in Santiago de Chile. Directed by Pete Brooks with dramaturgical support from Andrew Quick...read more.

A stunning homage to post-war British cinema and the French new wave, this is a unique and disturbingly immersive experience for the audience. Telling the story of night porter Harry's search to uncover the forgotten truth of his past, Hotel Methuselah is a searing tale of the destructive power of love and the hell of personal disintegration. Fusing spectacular live action and video projection, this is stylish, cutting edge visual performance that places narrative, emotion and wit at its core...read more.

You are led down a corridor into what appears to be a lift. The doors close and scenes glimpsed through the windows give the impression of violent motion. Vistas onto extraordinary landscapes are momentarily revealed as the lift attempts to locate the correct floor. Through the juxtaposition of image, voice-over and live action a narrative emerges: an arranged meeting, a fatal accident and the playing out of a potential, though impossible, relationship...read more.

A switchback ride between well-placed words and extreme acts. Guilty Pleasures is set across two rooms, or "two ways of looking at the world". On one side, a 1930s drawing room where convention and good manners prevail - on the other, a dingy bathroom where sexual encounters, dark secrets and sinister fantasies are played out. Combining highly physical performance and intellectual guile, Guilty Pleasures treads a fine line between fiction and reality, reflecting a world where nothing is as it seems...read more.

Ark is set in the aftermath of an unnamed catastrophe, a place where deadly rain constantly pours. Finding refuge in a shack, the characters attempt to locate themselves in this broken world by searching the radio waves for their rescuers. Seemingly abandoned, they are left to invoke memory as a means to sustain themselves as the water begins to rise...read more.

Described as a cross between Sartre's No Exit and Boogie Nights, the piece depicts a hellish world in which performance is the only real language, producing an experience which is both disturbing and highly entertaining. Einmal ist Keinmal is a piece of visual performance that negotiates the complexities of sexuality, bliss and redemption...read more.